Live Italian culture in Italy ! we arrange Art Tours and Cooking Courses in Marche, Italy. Self-catering apartments at the Caravanserraglio agriturismo with swimming pool in Italy, Marche
Archive, Archief, Archivio
Exhibitions, Mostre, Tentoonstellingen, in Italy
Marche Art History Courses.
Dante Alighieri Camerino
12 January - 9 March 2010
This winter 2009/2010 in MARCHE for the first time short ART
HISTORY COURSES at the DANTE ALIGHIERI SCHOOL CAMERINO - each
course consists of 3 lessons and 1 excursion.
Lessons are held in English (but we also talk Italian of course),
No prior knowledge of art history is necessary to participate.
Carlo Crivelli e Brera.
Brera, Milan
25/11/2009 - 28/03/2010
The Brera is celebrating its bicentenary with an exhibition about
Carlo Crivelli (ca. 1430 - ca 1493), for which a part of the paintings
returns to Milan. Earlier, in the 19th century, Brera swopped
part of Crivelli’s artpieces -like double-figures- with paintings
from other artists. It is the opportunity to see and study the
Annunciation from London next to contemporary works of the same
artist that were commissioned for the city of Camerino (Marche):
the Triptych of St. Domenicus and the polyptych of the cathedral,
complete with the painted parts of the wooden frames. These panels
are now spread over several international collections, after that
they were, during the course of the 19th century, sawn in pieces
and sold separately.
The intention of the exhibit is not to reconstruct the career
of Crivelli, but to ponder about what drove Brera to deal with
these art works in this particular way. And to reflect on the
strategies of different international museums during the 19th
century, to be able to have as much artworks as possible – and
especially the most prestigious ones- like a match.
The exhibition features art from the last phase of Crivelli's
career, the years eighties and nineties of the fifteenth century,
so this is also a suitable occasion to observe the crucial transition
in his artistic progression, which is often not been given the
value it deserves. From the eighties Crivelli no longer paints
polyptics. He begins to paint on a singular large panels and his
new challenge is to depict the visible reality through painting
as closely as possible, in an extremely detailed way.
The polyptych of St. Domenicus is a real tour de force of illusionism,
with figures that have been created adding real three-dimensional
additions (jewelry, keys). In other works these applications in
'pastiglia', like stones, pieces of glass and metals, are excluded.
From there on it is just the real painting that creates the illusion.
To illustrate that Crivelli is very clever in creating the illusion
of different materials in his paintings, also objects from the
fifteenth century are exhibited such as brocade fabrics, ceramics,
carpets and gold, all objects that also occur in his paintings.
From these perspectives the Brera desires to show to visitors
in a small and special exhibition dedicated to Crivelli, in which
also other art works from the collection are shown, a richer and
fuller picture of Crivelli that is more consistent with the actual
artistic ‘statura’ of an uncomfortable but amazing artist.
Chagall and the Mediterranean
09/10/2009 - 17/01/2010
Pisa, Blu - Palazzo d'arte e cultura
The Palazzo Blu exhibits 150 art works, paintings, sculpture, ceramics and lithographs, from the collections of important French public museums as the Musée National Marc Chagall in Nizza, the Centre Pompidou in Paris, the Musée Matisse in Le Cateau Cambrésis and from private collections, all art pieces created by the Russian artist from 1926 onwards. It was the first time for the artist to encounter the Mediterrean light, it's colors, it's landscape and towns, of France, Greece and the Holy Land.
The Cardinal's Rooms.
Caravaggio, Guido Reni, Guercino and
Mattia Preti for Cardinal Pallotta.
23/5/2009 - 12/11/2009
Caldarola, Palazzo Pallotta
Following the success of the De Magistris exhibition, Caldarola
is hosting another important exhibition in the Palazzo Pallotta
palace, this time featuring the figure of Cardinal Giambattista
Pallotta, a refined and cultured collector from Rome in the Baroque
era.
Through a detailed investigation, the most important paintings
that once belonged to the Cardinal have been located in various
museums and private collections. Of particular interest are the
canvasses by Caravaggio, Guercino, Guido Reni, Elisabetta Sirani,
Domenichino, Sassoferrato, Mattia Preti, Carlo Maratti, Scarsellino
and D’Arpino.
Art and Illusions
Masterpieces of Tromp-l'oeil
from Antiquity to the present day
16/10/2009 - 24/1/2010
Florence - Palazzo Strozzi
Federico Barocci (1535-1612).
The Charm of Colour. A Lesson For Two Centuries.
11/10/2009 - 10/1/2010
Siena, Complesso Museale Santa Maria della Scala.
This exhibit is dedicated to the genius Barocci who's fame during
the 16th Century was similar to artists like Raphael, Michelangelo,
Titian and Correggio in the countries of Italy, Spane, Bohemia,
Bavaria and Flanders.
The Barocci exhibit shows 34 works from museums of London, Paris,
Vienna, Rome, Napels, Florence, Perugia, Urbino, Senigallia and
Assisi. Two paintings have been restored especially for the exhibit:
The Descent from the Cross from the cathedral of Perugia, and
The Pardon of Assisi from the church of Saint Francis at Urbino.
Next to the discovering through Barocci's art works, of his charm
of light and colour, so tipical of the atmosphere that the master
from the Renaissance City of Urbino creates in his masterworks,
a part of the exhibit is dedicated to artists influenced by his
work. Artist that were contemporary to him, like Annibale, Ludovico
and Agostino Carracci, Lodovico Cigoli, Bernardo Strozzi, Guido
Reni, Pietro da Cortona, and also Rubens and Van Dyck. But also
artists of a later date were inspired by him, and are present
with their works at the exhibit, like Giuseppe Maria Crespi, Rosalba
Carriera, Jean-Antoine Watteau, Jean-Honoré Fragonard. The exhibit
houses a section that is dedicated to the painters from Sienna
who have contributed to the diffusion of his fame: Francesco Vanni,
Ventura Salimbeni, Alessandro Casolani and Rutilio Manetti
From Rembrandt to Gauguin and Picasso.
Masterworks from the Museum of Fine Arts, Boston
10/10/2009 - 14/3/2010
Rimini, Castel Sismondo.
An event that cannot be missed, as it will never occur again.
Sixty five masterpieces of European painting – dating from the
sixteenth to the twentieth century – from one of the world’s most
important museums, the Museum of Fine Arts in Boston. An occasion
that will never be repeated, as it is the result of the American
institute’s temporary closure of a portion of its exhibition space
for renovations.
Although the works cover many important European national schools,
the exhibition in Rimini was arranged by Marco Goldin according
to a conception of continuous thematic groupings, divided into
six sections: Religious work; The nobleness of the portrait; The
intimacy of the portrait; Still lifes; Interiors; The "new"
landscape
Thus, in this arrangement, portraits by Tintoretto and Moroni
will be displayed alongside an absolute masterpiece, a wonder
among wonders, the famous portrait of Edmondo and Thérèse Morbilli
painted by Degas in 1865. In addition, an incredible series of
portraits begins with masterpieces by Velásquez and Rembrandt
and ends with an unforgettable large canvas by Picasso featuring
a Cubist portrait of a woman, dating from 1910. De Hooch, Saenredam
and De Witte are represented as well, with?? their almost metaphysical
interiors from seventeenth-century Holland. Not to mention an
astounding selection of Impressionist works t??hat will include,
in addition to the artists previously mentioned, Manet, Sisley,
Pissarro, Cézanne,Bernard, Signac, Gauguin and Van Gogh. In brief,
a wealth of beauty that will radiate from Rimini.
Raphael Sanzio
(1483 - 1520)
Urbino, Ducal Palace. Spring/Summer 2009. Exhibit: Raphael and the City of Urbino.
Verona, various locations throughout the region. 25/04/09 – 25/11/09. Exhibit: Raphael and his divine harmony.
L’amore, l’arte e la grazia – Raffaello. La Madonna del Cardellino restaurata
Liefde, Kunst en gratie - Rafaël. De restauratie van de Madonna met het puttertje.
23/11/2008 - 1/3/2009
Florence, Palazzo Medici Riccardi
Na tien jaar keert het meesterwerk van Rafaël, de Madonna
met het puttertje, terug in het Uffizi. Alvorens het schilderij
weer komt te hangen in zaal 26, is het tot maart 2009 te zien in
Palazzo Medici Riccardi waar een tentoonstelling gewijd is aan de
restauratie van het kunstwerk.
Het schilderij is jaren nauwkeurig onderzocht en gerestaureerd door
het team van de nationale restauratiewerkplaats Opificio delle
Pietre Dure in Florence. Een moeilijke opgave niet alleen omdat
het eeA? ?Ÿ?n kunstwerk van onschatbare waarde betreft, maar met
name omdat het schilderij een drastische restauratie is ondergaan
in de zestiende eeuw.
Ten gevolge van een aardverschuiving in 1547 stortte het huis in
van de eigenaar van het schilderij, Lorenzo Nasi, en het schilderij
viel in zeventien stukken uiteen. De verschillende stukken werden
vervolgens met ijzeren spijkers aanelkaar bevestigd en de schilder
Ridolfo di Ghirlandaio, tijdgenoot van Rafaël en zoon van de
bekende Domenico, schilderde het over om zo de verbindingen te verbergen.
De huidige restauratie betrof het nemen van moeilijke beslissingen
zoals het wel of niet ongedaan maken van eerdere restauraties. Uiteindelijk
werd besloten om de grotere spijkers te laten zitten aangezien het
verwijderen ervan grotere schade zou kunnen aanbrengen. De oorspronkelijke
heldere kleuren zijn bewaard gebleven dankzij de vernislaag die
Rafaël zelf aanbracht. Het verwijderen van vuil en overschilderingen
heeft daardoor het originele aangezicht van het schilderij teruggegeven.
Ercolano. Three Centuries of Discoveries
16/10/08 - 13/4/2009
Napels, Museo Archeologico Nazionale di Napoli
A wonderful exhibition at the monumental
Archeological Museum of Napels.
This museum houses the most important finds
of Pompei and Herculaneum.
Giovanni Bellini (Venice 1435-1448 circa - 1516)
30/9/08 - 11/1/09
Le Scuderie del Quirinale, Rome
The first major Bellini exhibit in nearly 60 years, in the former stables of the Papal Palace. The collection showcases work on loan from several international museums. Of course the Accademia in Venice loaned several works, along with works from the Met in NYC, The National Gallery in London, The Louvre, The Washington National Gallery, The Uffizi and The Staatliche in Berlin, etc. There are also a few pieces from private collections.
Amico Aspertini 1474-1552.
Artista bizzarro nell’età di Durer e Raffaello
27/9/2008 - 26/1/2009
Bologna, Pinacoteca Nazionale
Aspertini was one of the key players in the Bolognese Renaissance
promoted by Giovanni II Bentivoglio together with Lorenzo Costa
and Francesco Francia, whose partnership resulted in the production
of most important works of that period. An eclectic genius and,
as Malvasia described him, a bizarre and capricious artist, Aspertini
gradually detached himself from the soft, classicist style of
Francia and Costa, and became a precursor of a sophisticated taste
that could be defined as mannerist, even at that early stage.
The exhibition, consisting of over 120 works from various European and American museums, offers a complete overview of the painter’s pictorial and graphic art, set in a comparative context alongside the works of the artists he came into contact with. A selection of etchings, precious manuscripts of miniatures, ceramics and archaeological pieces completes the reconstruction of one of the finest periods in Italian and European art history spanning approximately fifty years.
Correggio
20/9/2008
25/1/2009
Parma, Galleria Nazionale, Camera della Badessa in San Paolo,
Monastero di San Giovanni Evangelista, Cattedrale
Galleria Nazionale di Arte antica
From Rembrandt to Vermeer. Civil values in Dutch and Flemish painting of the 16th Century.
Van Rembrandt tot Vermeer, burgerwaarden in de Nederlandse en Vlaamse schilderkunst uit de zeventiende eeuw.
11/11/2008 - 15/02/2009
Rome, Museo del Corso
In het Museo del Corso is deze winter de rijke collectie Vlaamse
en Nederlandse schilderkunst uit de GoudeA? ?Ÿ?n Eeuw afkomstig
uit de Gemäldegalerie in Berlijn tentoongesteld. Het is een
spannende confrontatie tussen de wereldstad en de hoogstandjes
van de schilderkunst uit het Noorden.
Onder de vijfenvijftig meesterwerken De geldwisselaar
van Rembrandt en Het meisje met de parelketting van Vermeer.
De tentoonstelling is tot stand gekomen dankzij de vruchtbare
samenwerking tussen de twee musea. Het Museo del Corso in Rome
zal vervolgens bijdragen aan de tentoonstelling over Sebastiano
del Piombo in Berlijn.
De schilderijen weerspiegelen het burgelijke leven uit de zeventiende
eeuw in scene’s uit het dagelijkse leven, vaak afgebeeld in een
intieme huiselijke sfeer. Naast de schilderijen van Rembrandt
en Vermeer zijn ook twee portretten van Van Dyck en een landschap
van Rubens te zien, evenals werken van onder anderen Frans Hals,
Jan Steen, Pieter de Hooch en Jacob van Ruisdael.
Visioni del Grand Tour dall’Ermitage 1640-1880. Paesaggi e gente d’Italia nelle collezioni russe.
Visies van de Grand Tour uit het HeA? ?Ÿ?rmitage 1640-1880. Italiaanse landschappen en mensen uit de Russische collecties.
19/11/2008 - 22/02/2009
Rome, Complesso Monumentale di San Salvatore in Lauro
Tel +39 066865493
Pompeo Batoni
(1708 – 1787).
Europe of Courts and the Grand Tour
6/12/2008 - 29/3/2009
Luca, Palazzo Ducale
Caterina and Maria de’ Medici: Women in Power
24/10/08 - 8/2/09
Florence, Palazzo Strozzi
From Canaletto to Tiepolo. 18th Century painting from Venice, furniture and china-ware from the Terruzzi collection.
3/10/2008 - 11/1/2009
Milan, Palazzo Reale
2008
The year of Osvaldo
Licini (1894 - 1958)
Ascoli Piceno, Galleria d'arte contemporanea
Monte Vidon Corrado, centro studi Licini
Overzichtstentoonstelling Osvaldo Licini (1894-1958)
18 april - 4 november 2008
Licini is de belangrijkste exponent van de Italiaanse Moderne kunst uit Marche. Een fascinerende avant-garde kunstenaar die de laatste dertig jaar van zijn leven versleet in zijn geboorteplaats in Marche, na intensieve artistieke ervaringen in Bologna, Milaan, Florence en Parijs. In Parijs leert hij Modigliani kennen, maar ook Picasso en Cocteau, en bracht zijn avonden met hen door in caffè sul Boulevard du Montparnasse en caffè Dôme.
Maar vooral de latere kunstwerken uit Marche zijn prachtig en typerend voor Licini:de 'Rebellerende Engelen' en 'Amalassunta' vol mystiek en doorweekt van Italiaanse tradities en lokale symboliek.
De tentoonstelling toont zestig kunstwerken van Licini uit privecollecties en grote musea van over de hele wereld. Het kunstmuseum in Ascoli dat vanaf 26 april zijn deuren opent voor deze tentoonstelling, is gelegen in het voormalige Augustijner klooster in het hartje van deze prachtige stad.
Locatie: Ascoli Piceno (Marche), Galleria d'Arte
Contemporanea Osvaldo Licini.
Documenten, foto's en vroege werken in de woning van Osvaldo Licini (1894-1958)
18 april - 4 november 2008
In het geboortehuis van Licini in Monte Vidon Corrado is een vervolgtentoonstelling met documenten, foto's en vroege werken. Het dorpje ligt op de top van een heuvel, met groene heuvels en mooie vergezichten. Wandelend langs zijn persoonlijke bezittingen, zoals meubels, beschilderde wanden, schildersezels en verfspullen ontdekken we de persoon achter de kunstwerken, in zwartwit foto's, talloze brieven en gedichten, tekeningen en schilderijen die hij maakte van het landschap en de mensen die hem omringden.
Locatie: Monte Vidon Corrado (Marche), Studiecentrum "Osvaldo Licini"
Piazza Osvaldo Licini, 1
Florence and the ancient Netherlands 1430-1530
between Jan van Eyck and Raphael
20/06/2008 26/10/2008
From June to October in Florence two important exhibitions will
open a window to Netherlandish figurative art. The exhibition offers
a choice of sacred painting and portraiture masterpieces which the
great Dutch and Flemish masters from Jan van Eyck to Lucas van Leyden
executed for, or where bought by, their Florentine clientele, and
illustrates through an overview of the Netherlandish works which
were present in Florence between 1430 and 1530 the fundamental role-model
played by these artists in terms of style, iconography and pictorial
technique for the Florentine masters and their workshops.
For the first time in centuries it will be possible to see the recomposed Pagagnotti triptychs of the great Hans Memling and the Master of the Legend of Saint Orsola; the panels are currently dispersed between the museums of Cherbourg, Fiesole, Florence, London and New York. The direct comparison of the masterpieces of the pictorial schools of Florence and the Netherlands of the period in question, which for several centuries produced the highest expression of European painting, aims at two purposes: to verify the actual impact of their mutual influence, but also the substantial stylistic autonomy of the two schools and to emphasise the amicable understanding between the two cultures.
The exhibition is part of the celebrations on the occasion of the cinquentenary of the Dutch University Institute for Art History in Florence (NIKI). The Dutch Institute and the Cultural Section of the Royal Embassy of the Netherlands organise a series of cultural events under the name 'Olandiamo?', from April until October, in Florence and surroundings. The Dutch University Institute for Art History (NIKI) in Florence, an affiliate of Utrecht University, holds a primary position in the prestigious panorama of the scientific-cultural institutions operating in Florence. Ever since its foundation in 1958, the NIKI has played a determining role in the field of art-historical research, the study and diffusion of Dutch art and artists in Florence and Italy and the promotion of mutual exchange, which the two major European art schools have been cultivating for centuries.
Florence, Palatine Gallery, Pitti Palace
Otto quadri in scena
tra filosofia e letture
teatrali
Eight paintings
in scene between
philosophy and theatral
literature
08/10/2007
12/05/2008
Roma, Palazzo Barberini
Galleria Nazionale di Arte antica
De bibliotheek van Federico Da Montefeltro
15/03/2008 27/07/2008
350 jaar na de verplaatsing van de bibliotheek van de Hertog van
Urbino naar de bibliotheek van het Vaticaan, keert voor de eerste
en enige keer de bibliotheek van Federico di Montefeltro terug naar
zijn oorspronkelijke domein in de zalen van het Renaissance paleis
in Urbino.
De bezoeker kan de essentiële en spectaculaire eigenschappen
van de collectie manuscripten ervaren, waarvan de consultatie normaalgesproken
alleen gereserveerd is voor wetenschappers. De geschriften weerspiegelen
de interesse in de cultuur en de vernieuwende drive die typisch
is voor de vijftiende eeuw in Italië. Zo’n collectie
kan alleen geboren zijn in het centrum van de perfecte hoveling,
de broeiplaats voor kunst en cultuur.
De tentoonstelling is een absolute waarheidsgetrouwe reconstructie van de oorspronkelijke bibliotheek, dat al sinds het ontstaan ervan wordt beschouwd als de meest prachtigste en grootste collectie vijftiende eeuwse manuscripten.
Urbino, Galleria Nazionale delle Marche, Palazzo Ducale
Scoperte intorno a Simone de Magistris
18/03/2008 - 01/06/2008
Nella mostra saranno esposte un gruppo di circa 30 opere tra cui una decina di tele inedite o poco conosciute del maestro di Caldarola, affreschi e sinopie della sua scuola, nonché la ritrovata pala d’altare di Paolo Piazza della Collegiata di Cupramontana, quelle di Andrea Lilli della Collegiata di Apiro, di fatto sconosciute, ed alcuni importanti disegni di Ferraù Fenzoni e dello stesso Lilli. Questa sarà anche la prima occasione per studiare in modo più approfondito l’opera di Simone De Magistris come scultore, presentando, dopo un complesso intervento di restauro, la prima scultura a lui attribuita proprio a seguito delle ricerche alimentate dalla recente mostra.
Caldarola, Palazzo Pallotta
Vincenzo Pagani
A Devote Painter between Crivelli and Raffael
31/05/08 - 08/11/08
Attivo nella prima metà del XVI secolo, Vincenzo Pagani ha lasciato nelle Marche numerosi dipinti tra opere su tavola e affreschi diffusi nelle chiese e nei musei della regione. La mostra intende focalizzare l’attenzione non solo sul ruolo svolto dal pittore, fra crivellismo e raffaellismo, ma anche a sottolineare i rapporti con altri protagonisti del tempo operanti nell’area meridionale delle Marche. Oltre alla mostra, sono previsti degli itinerari nei comuni di Porto San Giorgio, Altidona, Monterubbiano, Moresco, Falerone, Massa Fermana, Francavilla d’Ete, Torre San Patrizio, Ortezzano, Montottone, Montelparo, S. Vittoria in Matenano.
Fermo, Palazzo dei Priori
Giovanni Baronzio
Painting at Rimini in the 14th Century
13/03/2008 - 18/05/2008
Roma
Galleria Nazionale d’Arte Antica in Palazzo Barberini
Tel: (0039)06/4824184-4814591
Il Quattrocento a Roma La rinascita delle Arti
da Donatello a Perugino
The 15th C. at Rome
The Renaissance of the Arts from Donatello to Perugino
29/04/2008 -
07/09/2008
Roma, Museo del Corso
Macerata Sferisterio Opera Festival
Program season 2008:
"La seduzione"
25 July, 2 and 7 Aug - Manon Lescaut, by Giacomo Puccini (1858-1924)
26 July, 1, 2, 12 Aug - Carmen, by Georges Bizet
27 and 31 July, 9 Aug -Salome by Richard Strauss
3, 6 and 10 Aug - Cavalleria Rusticana-El amor brujo by
Pietro Mascagni / Manuel De Falla
Theater Rossini in Civitanova
24 and 27 July - Cleopatra, Melodramma su libretto di Marco d'Arienzo
30 July, 1 Aug - The Servant, Tratto dal racconto di Robin Maugham
5, 8 Aug - Neues vom Tage, Libretto di Marcellus Schiffer
PARIS 1900 - La collezione del Petit Palais di Parigi
01/03/08 – 20/07/08
Arriva dalla capitale francese la mostra “PARIS 1900”, dalle collezioni del Petit Palais che rimarrà aperta dal 1 marzo al 20 luglio 2008. Curata da Gilles Chazal, conservatore e direttore del Petit Palais, la mostra d’innegabile fascino amplifica l’indagine sull’arte d’Oltralpe con opere di artisti contemporanei a De Nittis, allargando lo sguardo sulla città oltre la pittura, attraverso sculture, oggetti d’arte, arredi, gioielli, ceramiche, stampe, fotografie della fine del XIX e l’inizio del XX secolo. Un nucleo fondamentale di arte francese, frutto di ordinazioni e acquisizioni, che costituisce ancora oggi uno degli assi portanti delle raccolte del Petit Palais, inaugurato l’11 dicembre 1902, in seguito all’Esposizione Universale, diventando il Palais des Beaux-arts della Città di Parigi.
Barletta, Pinacoteca Giuseppe De Nittis - Palazzo della Marra
Guido Cagnacci, Protagonista del seicento tra Caravaggio e Reni
19/01/08 – 22/06/08
Tutti lo ricordano come l’artista che meglio ha saputo trasporre sulla tela la morbida sensualità della figura femminile. Del Seicento egli fu protagonista, non testimone o semplice comprimario. Come un iperrealista dei nostri giorni lo affascinava l’enigma delle cose. Riuscì a rendere visibile il vero dei sentimenti, delle emozioni, a raccontare l’anima figurando il corpo. La mostra, con oltre 90 opere, ricostruirà gli inizi della sua attività nella terra natale, già toccata da fermenti naturalistici, per poi seguirne lo sviluppo a Roma, dove Cagnacci si recò a più riprese in compagnia di Guercino, venendo in contatto con le opere di Caravaggio e dei suoi seguaci. In questo modo egli maturò convinzioni che si esplicano dapprima nelle bellissime opere sacre realizzate per le chiese riminesi e che non verranno meno neanche quando la fama ormai raggiunta lo portò nuovamente a Bologna, dove si misurò con la pittura di Guido Reni, promotore di un’ arte fortemente idealizzata da cui Cagnacci desume una nuova monumentalità ma senza che le sue immagini perdano fisicità e spessore carnale. Per evidenziare le peculiarità di tali esperienze, la mostra affiancherà ai capolavori giovanili di Cagnacci, dipinti del Caravaggio e dei suoi seguaci, da Vouet a Van Honthorst, da Serodine ad Orazio e Artemisia Gentileschi, a Lanfranco, nonché di Guido Reni e di Guercino. In seguito Cagnacci privilegerà soggetti profani e soprattutto di nudo femminile che gli procureranno grande fama e lo porteranno a lavorare in ambienti segnati da una grande libertà, prima a Venezia e poi a Vienna. Grande rilievo sarà riservato anche a questa fase dell'attività pittorica di Cagnacci.
Forlì, Musei San Domenico
Cosme'Tura
Francesco del Cossa.
L'arte a Ferrara
nell'eta' di Borso D'Este
Ferrara
Palazzo dei Diamanti
Palazzo Schifanoia
23/09/2007
06/01/2008
Otto quadri in scena
tra filosofia e letture
teatrali
Eight paintings
in scene between
philosophy and theatral
literature
08/10/2007
12/05/2008
Roma, Palazzo Barberini
Galleria Nazionale di Arte antica
Le ore e i giorni delle donne.
Dalla quotidianità alla sacralità tra VIII e VII
secolo a.C.
The hours
and days of women.
From daily to sacret live between the VIII and VII Century before
Christ
14/06/2007 06/01/2008
Verucchio (Marche), Museo Civico Archeologico ex Convento di Sant’Agostino
Paul Gauguin, artista
di mito e sogno
06/10/2007
03/02/2008
Roma, Complesso del Vittoriano, Via San Pietro in Carcere, (0039)06 6780664
La Biblioteca di Federico
The library of Federico
15/03/2008 27/07/2008
Urbino,Galleria Nazionale delle Marche, Palazzo Ducale
Macerata Sferisterio Opera Festival
Program season 2008:
"La seduzione"
25 July, 2 and 7 Aug - Manon Lescaut, by Giacomo Puccini (1858-1924)
26 July, 1, 2, 12 Aug - Carmen, by Georges Bizet
27 and 31 July, 9 Aug -Salome by Richard Strauss
3, 6 and 10 Aug - Cavalleria Rusticana-El amor brujo by
Pietro Mascagni / Manuel De Falla
Theater Rossini in Civitanova
24 and 27 July - Cleopatra, Melodramma su libretto di Marco d'Arienzo
30 July, 1 Aug - The Servant, Tratto dal racconto di Robin Maugham
5, 8 Aug - Neues vom Tage, Libretto di Marcellus Schiffer
Medardo Rosso.
La forma instabile
22/9/2007
6/1/2008
Venezia
- Collezione Peggy Guggenheim, Palazzo Venier dei Leoni, Dorsoduro
701
San Nicola di Bari.
Il corpo e l'immagine tra Oriente e Occidente
Saint Nicholas of Bari. Body and image between East and West
Bari, Castello Svevo
01/12/2006 31/05/2007
Autoritratti/Selfportrait
26/1/2007 6/5/2007 Venezia, Istituto di Scienze lettere ed arti- Palazzo Franchetti
Officina Dürer
16/12/2006 30/6/2007 Venezia, Museo Diocesano - Chiostro di Sant'Apollonia
Arte Francescana tra Montefeltro e Papato.
Committenze artistiche 1234-1517/28
24/3/2007 1/7/2007 Cagli (Marche) - Chiesa di San Francesco e Palazzo Berardi
Jacopone da Todi e l'arte in Umbria nel Duecento
2/12/2006 2/5/2007
Todi (Umbria) - Palazzi Comunali, Museo Pinacoteca
Manierismo nelle Marche:
Simone De Magistris, un pittore visionario.
5/4/2007 30/9/2007
Caldarola Palazzo dei Cardinali Pallotta
Lorenzo Monaco
(1370 - 1425)
9 May– 24 September 2006 Firenze, Galleria dell’ Accademia
L’”altro” Rinascimento di Bernardino di Mariotto
25/3/2006 31/8/2006
San Severino Marche, Palazzo Servanzi Confidati Mostra a cura di Vittorio Sgarbi Info: 0733/633900
“L’Aquila e il Leone”.
I rapporti artistici fra Venezia, Fermo, S. Elpidio a Mare e il Fermano
24/3/2006 17/9/2006
Fermo (Le Marche), Palazzo dei Priori
Sant'Elpidio a Mare (Le Marche), Pinacoteca Vittore Crivelli
Info:0734 284310
Mantegna a Mantova 1460 – 1506
16/9/2006 14/1/2007
Mantova, Fruttiere, Palazzo Te
Mantegna a Padova 1460 – 1506
16/9/2006 14/1/2007
Padova, Musei Civici agli Eremitani, Piazza Eremitani
Mantegna a Verona 1460 – 1506
16/9/2006 14/1/2007
Verona - Palazzo della Gran Guardia, Piazza Bra’,
Raffaello. Da Firenze a Roma
Roma Galleria Borghese 19/5 - 27/8 2006
http://www.mostraraffaello.it/
Roma Barocca.
Bernini, Borromini, Pietro da Cortona
15/6/2006 - 29/10/2006 Roma - Castel Sant’Angelo, Lungotevere Castello, 50
Sculture in Villa
16 June 2006 / 5 November 2006
Tivoli- Villa d’Este Piazza Trento, 1
La mente di Leonardo da Vinci. Il genio universale all’opera
28/3/2006 -7/1/2006
Firenze – Galleria degli Uffizi uffizi@polomuseale.firenze.it
Il mistero della Genesi nelle sculture di Jorge Jimenez Deredia
Firenze – Limonaia del Giardino di Boboli, Piazza Pitti, 1
14/6/06 - 30/9/2006
Arte e Manifattura di corte a Firenze Dal tramonto dei Medici all’Impero (1732 - 1815)Firenze
Firenze - Palazzo Pitti - Palazzina Meridiana
05/05/2006 - 05/11/2006
San Nicola di Bari. Il corpo e l'immagine tra Oriente e Occidente
Saint Nicholas of Bari. Body and image between East and West
Bari, Castello Svevo
/12/2006 - 31/05/2007
Centro internazionale di Studi di Architettura Andrea Palladio
Museo Palladio in palazzo Barbaran da Porto, contra' Porti 11, Vicenza
from 5 March 2005 to 3 July 2005
THE EXHIBITION CONTINUES… IN THE VILLAS
For the first time, with a just one ticket for the whole exhibition, you can also visit the most beautiful Villas in Veneto.
Starting from Petrach’s house in Arquà, to the “ideal Palladian villa” for Emo in Fanzolo, to the Villa dei Vescovi in Luvigliano; from the temple-villa Badoer in Fratta Polesine, to the garden in Valsanzibio, from villa Contarini in Piazzola to the “Barco contemporaneo per la vita e per la morte” - the Brion by Carlo Scarpa at Altivole - and much more.
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